Yura Yura Teikoku No Shibire Rar

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Yura Yura Teikoku No Shibire Rar. Dec 22, 2014 - bass licks of 'Tsukiyo no Yuuhodou', the dark and progressive sound of 'Yuganda Kagami', the new-wave garage sound of. Yura Yura Teikoku Taiyou no Shiroi Kona. Yura Yura Teikoku Yura Yura Teikoku no Shibire. Oct 27, 2013 - But on their creation, Yura Yura Teikoku had a very different. Yura Yura Teikoku No Shibire Rar. On 8/21/2018 By admin In Home. This June 2007 needs additional citations for. Unsourced material may be challenged and removed. (June 2007) Yura Yura Teikoku Background information Origin, Genres Years active 1989–2010 Labels Website Members Shintaro Sakamoto (, ) Chiyo Kamekawa Ichiro Shibata Yura Yura. Yura Yura Teikoku Taiyou no Shiroi Kona. Yura Yura Teikoku Yura Yura Teikoku no Shibire. Oct 27, 2013 - But on their creation, Yura Yura Teikoku had a very different. New albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai). Sort by: Rating 5.0 classic One word. Save Data Suikoden 2 Epsxe.mcr. Brilliance in its underground purist. Download yura yura teikoku 3 free shared files. Yura yura teikoku utsukushii.rar Yura Yura Teikoku No Shibire. Descargar Drivers A32gv11c Motherboard on this page. Rar Yura yura Teikoku LIVE (1995).zip Yura Yura Teikoku Viewsic Live (160 kbps).rar single yura yura teikoku yura yura teikoku de kangaechuu 7'.rar from all world's most popular shared hosts.

Raw electrifyingriffs, intense melodic bass loops, flashy sonic sounds, deep electronic beats andbeguiling pop tunes; the reincarnation of the dying modern youth, an elegy to theboogying guitars of a zombified Sonics,cracked on Suicide and devouring theflesh of Can; this is Yura YuraTeikoku (ゆらゆら帝国)!!

Yura Yura Song

It took 16 yearfor this Tokyo underground three-piece set, formed in 1989, to finally meetsome attention overseas. With the success of their 2005 album Sweet Spot (forMesh-Key records), the band ventured to New York for a few minor concerts provingthe American audience that they could beat the carcass of any dead rock starlegend with their electric riffing strains and psychedelic refrains. Howeverwhat they [the audience] were listening to they had no idea. Sometimes the Japanesegroup seemed to fall into a noise oriented post-rock constant of some sort ofnipponic Sonic Youth. Other times the electronics soared higher reaching the voltaicsound of Stereolab. In further occasions the psychedelism of krautrock filled in; but in all, reminiscences of alater Link Wray and art-punk Television (sometimes even high beats of Led Zeppelin)drew their power in the background.

But on theircreation, Yura Yura Teikoku had a very different composition. Their early stage performances -long hair, no shirt, shaking heads – evoke a nostalgic feelingfor an old 70’s Japanese garage show where Shinki Chen would happily allowhimself to trash some psychedelic melodic lo-fi garage punk-rock [in anotherdimension]. Consisting of three guitars and one drum case, the Japanese bandtranspired hefty vibes of unpretentious garage rock (their more experimentalworks would only come a few years later). Characterized by the heavy plodding drumsof Onsen Shimoda, the dissonant screaming lo-fi voice of guitarist/vocalistShintaro Sakamoto (坂本慎太郎) and biting dancing riffs, the sound that arises is raw andstinging.
With time howeverthe songs would become more poppy and structured (even though the raw roots wouldalways remain in their sound). The last album with Onsen Shimoda, Are you Ra? (1996), already lights the path the band would follow in the futureperiod. However only with the entrance of drummer Ichiro Shibata (柴田一郎) would the group take a more definedroute to their music. In 1997 the band’s arrangement changed to a fixed threeset with Shintaro Sakamoto on vocals and guitar, Chiyo Kamekawa (亀川千代) as bassist and Ichiro Shibata on thedrums. The first albums recorded under this configuration resulted in an epictrilogy for the Midi label (3x3x3, Me noCar, Yura Yura Teikoku III). Here the recordings seem to have found consistencyin jamming psychedelic pop tunes, catchy and danceable sonorous flows; a psychedelic triumph.
Now evolved to apop dream of slack sweaters and tight jeans, the Japanese trio opened the doorsto greater experimental desire. After the groovy Yura Yura Teikoku III, the band released two new albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai) in the sameyear. This time the recording counted with the collaboration of other “guest”musicians who joined the sessions to take the trio sound even further; keyboards,organs and beat synthesizers were added to the psychedelic rocking trendmaking it flow on even more progressive sources. The sound is not comparable tothe previous releases as it approaches much more than before the boundaries ofelectronic ambiance. A feature that seems to cling and is taken along intotheir last two albums (Sweet Spot andKudo Deso).
Trying to choosea single album against all others is an aching task. To pick a record fromtheir first heavy rocking years with Onsen Shimoda, from the epic psychedelicgarage pop trilogy, or from the awesome electronic pop “faces” (No Shibire and No Memai), the gritty live performance of Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I, or the last fiery recordings oftheir career would just be the same as choosing a mental state, a mood overother and that's sacrilegious; YYT’s sound behaves like a mutant monster,altering shapes and currents of melodic programs; of acid rushing the bloodtunnels tripping from a soft cradle of Japanese pop to a dancing cube of redneon guitars; a pop-punk garage rockin’ revival (however I will post a nice compilationfrom the years of 1998-2004, so that a taste can be given).

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